dawoonloaded

Dawoon Park(1991, KR) has researched and materialised media art projects in the interest of postphenomenology, transhumanism and posthumanism. She aims for catching glimpses of increasingly complex phenomena in between material and immaterial domains and encodes them into the realm of the legible and visible. She received a Bachelor of Fine Arts in Visual Communications Design from the Dankook University(KR) and currently studies a Master of Arts in New Media at the Berlin University of the Arts(DE).

Artwork

2021
Dot, Line and Face (upcoming)
Forever Young 2 (upcoming)
Forever Young 1 (upcoming)
Spirit of Kitchen 
Scenery Between-Windows 3
Face Value

2020
Scenery Between-Windows 2
Scenery Between-Windows 1
Unstable Mask
Buddha of Capitalism
Waste Does Not Communicate
2019
Skipping Hierarchy
The Self Captured in Absolute Black

Publication 

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Scenery Between-Windows 1 (窓-間의 풍경 1)

In the time of Covid-19, in contrast to limited reality, the digital environment set up radical openness and deregulation, so anything that interferes with communication is eliminated.
Time is replaced by real-time, space is replaced by hyperlinks, and humans exist as images.
時間(Time) - 間(between) = 時(o'clock)
空間(Space) - 間(between) = 空(Void)
人間(Human) - 間(between) = 人(Individual)
(時間 - 時) + (空間 - 空) + (人間 - 人) = 間間間(between-between-between)
間間 means 'on and off' in Korean. Life relying on only the endless concatenating 'on and off' digital signal is ever-changing, thus, unstable and insecure. The window reflects ‘The Loss of Time, Space and Humanity', observed in a limited real life and in the digital environment.

window, Spark AR
2020